(Nice, 1928-New York, 2005)
Armand is the only son of Antonio Fernandez, antiques and furniture merchant, of Spanish origin, and Marguerite Jacquet. He shows very early aptitude for drawing and painting and carries out his studies at the 'Ecole des Arts Décoratifs' in Nice. Then, Arman's interest in Far Eastern philosophies and arts led him to the Ecole du Louvre in Paris in 1949.
At 19, Arman became friends with Yves Klein and Claude Pascal, whom he met at a judo school in Nice. The trio of friends created in 1950 the "Groupe Triangle". They decide to sign their paintings with their only first name, like Van Gogh to whom they have a deep admiration.
Arman meets the musician Eliane Radigue who becomes his wife in 1953 and of which he will have three children: Françoise, Anne and Yves.
The artist, influenced by the works of Kurt Schwitters and Jackson Pollock, tries to practice the art of Stamp and exposes the first "Cachets" in Paris in 1956.
On the cover of a catalogue, following a printing error, "Armand" becomes "Arman". He formalizes his artist's signature on the occasion of an exhibition at Iris Clert in 1958.
The year 1959 saw the beginning of "Accumulations" of objects.
In October 1960, he made the exhibition "Le Plein" (The Full) where he filled Iris Clert's gallery with garbage and selected contents of garbage cans. This exhibition is the counterpoint of the exhibition "Le Vide" (The Void) made two years earlier at the same gallery by his friend Yves Klein.
The same year, Arman became one of the founding members of the group of Nouveaux Realistes "new perceptual approaches of the real" alongside notably François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, later joined by Caesar, Mimmo Rotella, Niki de Saint Phalle, Christo and Gerard Deschamps and also Pierre Restany as a theorist.
From 1961, Arman developed his career in New York where he resides and works half of his time alternating with his life in Nice until 1967, then in Vence.
The artist uses new materials such as polyester and plexiglass.
In 1962 Arman realizes his first "Combustions".
In the mid-1960s, personal retrospectives of his work took place in Krefeld, Amsterdam, Brussels, and Minneapolis
In 1971, Arman married Corice Canton and two other children, Yasmine and Philippe, were born from this union.
A retrospective of Arman takes place at the Nationale Galerie du Jeu de Paume in 1998, then travel until 2001 in Germany, Portugal, Israel, Brazil, Mexico, Tai Pe, Spain ...
Arman will define himself as a "showman of objects" in the image, he says, bear showmen of the Middle Ages.
Throughout his life, Arman was also a passionate collector of everyday objects: watches, weapons, pens, and objects of art especially of traditional African art for which he was a connoisseur, expert appreciated and recognized.
Arman died in New York in October 2005. He had dual French and American citizenship, acquired in 1972.